Monday 18 August 2008

Lyric Culture pays songwriters for their words

LOS ANGELES �

Online music thieves can't interpose with the hundreds of songwriters Hanna Rochelle Schmieder has on her payroll.


Her company, Lyric Culture, prints famous song lyrics on high-end jeans and T-shirts - and pays artists for the privilege.


"My destination is to save the music business," says Schmieder, herself a singer-songwriter. "This is around generating new revenue streams for musicians ... The record companies claim a piece of the tour and the merchandise, but they can't take a part of this."


Legendary and lesser-known songwriters earn equal royalties for each lyric-covered item Schmieder's party sells. John Lennon and Paul McCartney make money for every "Let it Be" or "Can't Buy Me Love" T-shirt sold; and when someone buys the groovy red-and-pink top inspired by Gloria Gaynor's disco hymn "I Will Survive," writers Frederick Perren and Dino Fekaris have paid.


Schmieder made deals with all the major music-publishing houses, licensing rights to hits by the Beatles, Janis Joplin, Johnny Cash, Aretha Franklin and innumerous other artists. Schmieder selects T-shirt-worthy tracks, then Lyric Culture's creative team interprets each song with original, hand-drawn designs. The far-famed lyrics are scattered inside and outside each pricey piece.


"I can't believe I'm entrusted with the bequest of the most famed words in the world," says the willowy blond Schmieder, dressed top to toe in her designs.


Lyric Culture jeans, scarves, T-shirts, belt buckles and leather jackets sell for $75 to $625 at boutiques and forte stores. Lyrix, the company's youth aggregation - which features T-shirts and hoodies with designs inspired by Miley Cyrus and "American Idol" - sells for $23 to $55 at Macy's and other section stores. Artist royalties range from 50 cents to $20 per item.


Schmieder, 31, accidentally created her company two geezerhood ago during a dreamy moment in the recording studio. She was committal to writing songs on her jeans in unmixed old lasting pen when entrepreneurial inspiration struck.


"That was the electric light moment," she says. "I realized I could help musicians mother new gross without touch like they're selling out."


Songwriter and producer Antonina Armato - wHO has penned tunes for Miley Cyrus, Vanessa Hudgens and the Jonas Brothers - loved the Lyric Culture construct before Schmieder approached her about licensing her songs. Schmieder's company "supports the dreams and the aspirations and the art," Armato says. "It's almost like she's giving a scholarship to these people wHO are organism creative."


Entertainment lawyer Jay Cooper, who specializes in music and copyright issues at Greenberg Traurig, says that while virtually musicians make their money through gross revenue and performances of songs, licensing income is a welcome blessing - especially in an industry that's seen billion-dollar losses because of illegal downloads.


"It by itself is not passing to salve the music industry, merely it's sure as shooting a nice plus," he says. "No matter how successful you've been, the business depends on continuing success."



Printing lyrics on T-shirts and jeans is a harmless way for musicians to gain extra money for do work already through, he says.


"There's very little downside for artists," said Evan Serpick, associate editor at Rolling Stone. "They're happy to have every source of revenue they can get."


---


On the Net:


http://www.lyricculture.com










More info

Friday 8 August 2008

Marc Ullrich

Marc Ullrich   
Artist: Marc Ullrich

   Genre(s): 
Other
   



Discography:


Housemeister - best of   
 Housemeister - best of

   Year: 2006   
Tracks: 1




 





Authist and Dub One!

Tuesday 1 July 2008

Less Than Jake

Less Than Jake   
Artist: Less Than Jake

   Genre(s): 
Punk: Grunge
   Rock: Punk-Rock
   Alternative
   Punk
   Rock: Pop-Rock
   



Discography:


Hello Rockview   
 Hello Rockview

   Year: 2006   
Tracks: 14


The People's History Of Less Than Jake   
 The People's History Of Less Than Jake

   Year: 2004   
Tracks: 50


B Is For B-Sides   
 B Is For B-Sides

   Year: 2004   
Tracks: 12


Anthem   
 Anthem

   Year: 2003   
Tracks: 14


Goodbye Blue and White   
 Goodbye Blue and White

   Year: 2002   
Tracks: 24


Pesto   
 Pesto

   Year: 1999   
Tracks: 4


Losing Streak   
 Losing Streak

   Year: 1997   
Tracks: 16


Pezcore   
 Pezcore

   Year: 1995   
Tracks: 19


Losers, Kings, and Things We Don't Understand   
 Losers, Kings, and Things We Don't Understand

   Year: 1995   
Tracks: 21


In With The Out Crowd   
 In With The Out Crowd

   Year:    
Tracks: 12


Borders and Boundaries   
 Borders and Boundaries

   Year:    
Tracks: 15


Bootleg A Bootleg, You Cut Out The Middleman: Live In Las Vegas   
 Bootleg A Bootleg, You Cut Out The Middleman: Live In Las Vegas

   Year:    
Tracks: 13




Formed in 1992 as a power pop trio with a heavy punk rock influence, a gumption of temper, and a fixation with Pez confect, Less Than Jake metamorphosed into a ska-inspired tough band with the addition of several members from 1993 to 1995. Vocalist and guitar player Chris Demakes, bassist Shaun, and drummer/lyricist Vinnie Fiorello were the number one incarnation of the radical, based in Gainesville, FL; later on Shaun became the group's roadie, however, he was eventually replaced by Roger Manganelli, wHO picked up bass just to conjoin the ring. During 1993-1994, the grouping added their number one horn player, Jessica, and shortly later came trombone player Buddy Schaub. Right before their number one tour, however, Schaub went to Europe with friends, so saxist Derron Nuhfer filled in for shows during his absence.


With diverse 7" releases under their belt, Less than Jake debuted in 1994 with the record album Pezcore, on Dill Records. Losers, Kings & Things We Don't Understand and Greased followed on No Idea until the grouping signed with Capitol for their major-label debut, 1996's Losing Streak. The album was full of the band's ironical, fast-paced brand of ska-punk anthems, producing such fan favorites as "Johnny Reb Quest Thinks We're Sellouts" and "Jen Doesn't Like Me Anymore." Upon the album's completion, Jessica left hand to quest after education, and (ex-Slapstick trombone player) Pete came on add-in. Around this time, Fiorello besides started his possess record pronounce, Fueled by Ramen, with friend John Janick. Hello Rockview followed in 1998, and spawned a minor college radio shoot with "History of a Boring Town." In fall 2000, the band released Borders & Boundaries on Fat Wreck, as advantageously as landing the possibility pip on Bon Jovi's North American turn.


Nuhfer left the isthmus afterward the album's recording (and later went on to join Gunmoll), and Less Than Jake establish his replacement in ex-Spring Heel Jack saddle horn player Pete Wasilewski -- though to avoid any call confusion inside the banding, the indorsement Pete was dubbed JR, and remained JR fifty-fifty afterwards the get-go Pete decided to entrust presently afterward the 2001 Warped Tour. Over the years, Less Than Jake has issued more 7" and limited edition vinyl releases than to the highest degree multitude can maintain track of, so the bandmembers compiled some of their favourite tracks on one record for 2002's Auf wiedersehen Blue and White, named in laurels of their original enlistment van. Hymn followed in 2003 for Sire; B Is for B-Sides was issued a year by and by, comprised of tracks that did not make it to Hymn's final cut. The DVD retrospective People's History of Less Than Jake appeared a month by and by. The four-song EP Remission of sin for Idiots and Addicts was released in April 2006, with their side by side full-length, In with the Out Crowd, next a calendar month later. The latter's album slicker, pop-oriented nature received interracial reactions from fans.





Mania

Thursday 19 June 2008

Art Garfunkel

Art Garfunkel   
Artist: Art Garfunkel

   Genre(s): 
Pop
   Rock
   Other
   Rock: Folk-Rock
   



Discography:


Some Enchanted Evening   
 Some Enchanted Evening

   Year: 2007   
Tracks: 13


Everything Waits To Be Noticed   
 Everything Waits To Be Noticed

   Year: 2002   
Tracks: 13


Across America   
 Across America

   Year: 1997   
Tracks: 17


Up 'til Now   
 Up 'til Now

   Year: 1993   
Tracks: 13


Fate for Breakfast   
 Fate for Breakfast

   Year: 1979   
Tracks: 11


Watermark   
 Watermark

   Year: 1977   
Tracks: 12


Breakaway   
 Breakaway

   Year: 1975   
Tracks: 10


Angel Clare   
 Angel Clare

   Year: 1973   
Tracks: 10




After Simon & Garfunkel, 1 of the about successful duos in come out history, split up in 1970, Art Garfunkel became a solo artist, as well as pursuing an acting life history. Garfunkel's pure, high tenor had been unitary of the most distinctive elements of the duo's music, even he wasn't responsible for for the songwriting -- Simon wrote all of the group's hits. Not amazingly, Garfunkel relied on other songwriters, from Jimmy Webb and Randy Newman, in addition to rock & roll standards like "I Only Have Eyes for You," throughout his solo vocation. As a solo performer, he was never quite as successful as he was with Simon & Garfunkel, in time he did have a number of Top 40 hits in the mid-'70s.


Garfunkel didn't begin a solo vocation until 1973. Between 1970 and 1973, he acted, appearance in two Mike Nichols films, Catch 22 and Animal Knowledge. Holy man Clare, his first solo book, was co-produced with Simon & Garfunkel producer Roy Halee and released in the fall of 1973. It established the style -- a light, carefully arranged and constructed melodic soft careen -- he would fall out end-to-end his solo life history. The album became a Top Ten hit on the strength of the individual "All I Know," which under the weather at number nine-spot. Two age later on, he returned with the Richard Perry-produced Breakaway, the to the highest degree successful album of his solo career. The record book poorly at issue seven-spot, with a adaptation of the Flamingos' "I Only Have Eyes for You" reaching number 18 on the U.S. charts; in Britain, the individual topped the charts. That same fall, he reunited with Paul Simon for the first time, playacting on Sabbatum Night Live. In December, Simon's "My Little Town," featuring Garfunkel on backing vocals, became a Top Ten hit.


In the fall of 1977, Garfunkel released his third gear record album, Watermark, which primarily consisted of Jimmy Webb covers. However, when the first single from the album failed to graph, the album was reissued in early 1978 with a cut across of Sam Cooke's "Terrific World" that featured supporting vocals from Simon and James Taylor. Released as a individual, "Grand World" under the weather at number 17. The following year, Portion for Breakfast appeared. Although it performed well in Britain, reaching number deuce, the album signalled that his American audience was beginning to funk: none of the singles made the Top 40 and the album only reached issue 67. In the fall of 1979, he filmed deuce movies, Spoiled Timing and Illusions. Scissors hold Cut, a reunion with producer Roy Halee released in 1981, did nothing to opposite his sliding commercial potency -- it didn't tied wear out into the Top 100 albums.


Later on the release of Scissors Cut, Simon & Garfunkel reunited for a concert in New York's Central Park. The concert was so successful, the duette distinct to venture on a yearlong creation hitch. During the tour, tensions mounted between the partner off and they split again afterwards it was completed. After a extended quiet period of time, Garfunkel re-emerged in 1988 with Lefty, which spent a mere eight-spot weeks in the American charts and failed to make the British charts. He did not release another album until 1993's rarities compilation Up 'til Now. Following its sack, Garfunkel took another prolonged break, returning in 1997 with the hot album Across America and the children's record book Songs from a Parent to a Child. The (mostly) self-penned Everything Waits to Be Noticed arrived in 2002, followed by Some Enchanted Evening, a accumulation of renditions of classics from the American Popular Songbook, in 2007.






Thursday 12 June 2008

Velvet Revolver's Slash To Record First Solo Album

Velvet Revolver guitarist Slash has revealed that he is currently recording his debut solo album.



The guitarist said that he was using his time off from Velvet Revolver, which was instigated following the departure of singer Scott Weliand, to do as much work as possible on the record.



“I'm working on it pretty aggressively right now while I have the time 'cause as soon as Velvet finds its singer, then it's going to be off the races with that,2 he said.



"I'm using this little period to be able to do as much on my solo record as possible. I'm not sure exactly when it will come out, but hopefully it will come out before the (next) Velvet record,” he told Spinner.



Slash said that he intended to put personal feelings on the album, but didn't elaborate as to what they would be.



As previously reported on Gigwise, Weiland split acrimoniously from Velvet Revolver earlier this year. The band have since been linked with using a reality TV show to find a new singer.




See Also

Friday 6 June 2008

Cindy Marlow

Cindy Marlow   
Artist: Cindy Marlow

   Genre(s): 
Other
   



Discography:


You Can't Deny That I'm Loving   
 You Can't Deny That I'm Loving

   Year: 2004   
Tracks: 4




 






Wednesday 28 May 2008

Fito Paez

Fito Paez   
Artist: Fito Paez

   Genre(s): 
Rock
   Latin
   



Discography:


Mi Vida Con Ellas, Vol. 2   
 Mi Vida Con Ellas, Vol. 2

   Year: 2005   
Tracks: 9


Mi Vida Con Ellas, Vol. 1   
 Mi Vida Con Ellas, Vol. 1

   Year: 2005   
Tracks: 9


Naturaleza Sangre   
 Naturaleza Sangre

   Year: 2003   
Tracks: 14


Antologia (cd2)   
 Antologia (cd2)

   Year: 2002   
Tracks: 15


Antologia (cd1)   
 Antologia (cd1)

   Year: 2002   
Tracks: 15


Rey Sol   
 Rey Sol

   Year: 2000   
Tracks: 13


Abre Paez   
 Abre Paez

   Year: 1999   
Tracks: 12


Euforia   
 Euforia

   Year: 1996   
Tracks: 16


Circo Beat (Beat Circus)   
 Circo Beat (Beat Circus)

   Year: 1994   
Tracks: 13


El Amor Despues del Amor   
 El Amor Despues del Amor

   Year: 1992   
Tracks: 14


Cronica   
 Cronica

   Year: 1991   
Tracks: 14


Tercer Mundo   
 Tercer Mundo

   Year: 1990   
Tracks: 10


Ey!   
 Ey!

   Year: 1988   
Tracks: 9


Ciudad de Pobres Corazones   
 Ciudad de Pobres Corazones

   Year: 1987   
Tracks: 11


La La La   
 La La La

   Year: 1986   
Tracks: 19


Corazon clandestino   
 Corazon clandestino

   Year: 1986   
Tracks: 4


Giros   
 Giros

   Year: 1985   
Tracks: 9


Del '63   
 Del '63

   Year: 1984   
Tracks: 9


Misc   
 Misc

   Year:    
Tracks: 8


Canciones para mi hada madrina   
 Canciones para mi hada madrina

   Year:    
Tracks: 16




Rodolfo "Fito" Paez was natural in Rosario, Argentina on March 13, 1963. He formed Staff, his low gear stria when he was 13. In 1977, he played in El Banquette with Rubén Goldín and Jorge Llonch. He began to appear solo in pubs the following year. Straight out of high school, he began touring with several bands and presently subsequently that produced his first gear solo record album, Del '63, which was released in 1984. It was promoted low gear in his home townspeople, merely by and by earned attention in Buenos Aires. The recording was put in concert with the help of some of Argentina's virtually prominent musicians, including Daniel Wirtz, Fabián Gallardo, Tweety González and Paul Dorge. The disk south Korean won him critical applaud as a songwriter and helped lead to future projects, including a 1985 record album, Giros. The demo of that album earned him the praise of Luis Alberto Spinetta, as well as a partnership -- Paez's next album, 1986's La La La was a couple with Spinetta. The couple supported that album with a duty tour that reached all the way to Santiago de Chile. The same class, he participated in the Thousand Days of Democracy festival with Spinetta, Juan Carlos Baglietto, Silvina Garré and Antonio Tarragó Ros. His 1987 recording, Ciudad de Pobres Corazones, pronounced a dark, political turn for his influence. It was dedicated to the memory of his aunt and nanna, world Health Organization were assassinated in Rosario. The record album seethed with wrath, simply it was likewise more rhythmic and showed greater songwriting depth than his previous recordings.


Paez got his first taste of production make for with Ey, which was released in 1988. Recorded in New York and Havana, it too showcased many of the musicians that he had worked with previously, including Guillermo Vadalá, Guillermo Colombres and Osvaldo Fattoruso. It too featured the trumpeters and saxophonists of the group, Afrocuba. Less rough than his previous recording, it was one of his near balanced records. Tercer Mundo, released in 1990, explores Latin American cultural influences and showed the harsh universe of poorness and exploitation. It, too was critically acclaimed, simply it was Paez' 1992 record album, El Amor Después del Amor that pronounced the pinnacle of his commercial success. The record album sold more than 600,000 copies and when Paez toured to financial support it, he establish himself playacting to sold-out shows for 40,0000 citizenry. Shortly later its release, he played a benefit concert for UNICEF which raised more than $420,000. The followup, Circo Beat, had impossibly high school expectations and though it had several strike songs, including "Mariposa lily Tecknicolor" and "Tema de Piluso," as well as a companion album, Circo Beat Brazil, which featured Brazilian remixes of its hits, it only sold about 350,000 copies. Several other projects were completed in the late '90s, including an acoustic album, Euforia and 1998's Sabrina & Paez: Enemios Intimos. The twelvemonth 2000 brought another balanced, wondrously produced album, Abre Paez. He too took home iI Grammys at the number one annual Latin Grammy Awards in come down 2000.