Artist: Fito Paez
Genre(s):
Rock
Latin
Discography:
Mi Vida Con Ellas, Vol. 2
Year: 2005
Tracks: 9
Mi Vida Con Ellas, Vol. 1
Year: 2005
Tracks: 9
Naturaleza Sangre
Year: 2003
Tracks: 14
Antologia (cd2)
Year: 2002
Tracks: 15
Antologia (cd1)
Year: 2002
Tracks: 15
Rey Sol
Year: 2000
Tracks: 13
Abre Paez
Year: 1999
Tracks: 12
Euforia
Year: 1996
Tracks: 16
Circo Beat (Beat Circus)
Year: 1994
Tracks: 13
El Amor Despues del Amor
Year: 1992
Tracks: 14
Cronica
Year: 1991
Tracks: 14
Tercer Mundo
Year: 1990
Tracks: 10
Ey!
Year: 1988
Tracks: 9
Ciudad de Pobres Corazones
Year: 1987
Tracks: 11
La La La
Year: 1986
Tracks: 19
Corazon clandestino
Year: 1986
Tracks: 4
Giros
Year: 1985
Tracks: 9
Del '63
Year: 1984
Tracks: 9
Misc
Year:
Tracks: 8
Canciones para mi hada madrina
Year:
Tracks: 16
Rodolfo "Fito" Paez was natural in Rosario, Argentina on March 13, 1963. He formed Staff, his low gear stria when he was 13. In 1977, he played in El Banquette with Rubén GoldÃn and Jorge Llonch. He began to appear solo in pubs the following year. Straight out of high school, he began touring with several bands and presently subsequently that produced his first gear solo record album, Del '63, which was released in 1984. It was promoted low gear in his home townspeople, merely by and by earned attention in Buenos Aires. The recording was put in concert with the help of some of Argentina's virtually prominent musicians, including Daniel Wirtz, Fabián Gallardo, Tweety González and Paul Dorge. The disk south Korean won him critical applaud as a songwriter and helped lead to future projects, including a 1985 record album, Giros. The demo of that album earned him the praise of Luis Alberto Spinetta, as well as a partnership -- Paez's next album, 1986's La La La was a couple with Spinetta. The couple supported that album with a duty tour that reached all the way to Santiago de Chile. The same class, he participated in the Thousand Days of Democracy festival with Spinetta, Juan Carlos Baglietto, Silvina Garré and Antonio Tarragó Ros. His 1987 recording, Ciudad de Pobres Corazones, pronounced a dark, political turn for his influence. It was dedicated to the memory of his aunt and nanna, world Health Organization were assassinated in Rosario. The record album seethed with wrath, simply it was likewise more rhythmic and showed greater songwriting depth than his previous recordings.
Paez got his first taste of production make for with Ey, which was released in 1988. Recorded in New York and Havana, it too showcased many of the musicians that he had worked with previously, including Guillermo Vadalá, Guillermo Colombres and Osvaldo Fattoruso. It too featured the trumpeters and saxophonists of the group, Afrocuba. Less rough than his previous recording, it was one of his near balanced records. Tercer Mundo, released in 1990, explores Latin American cultural influences and showed the harsh universe of poorness and exploitation. It, too was critically acclaimed, simply it was Paez' 1992 record album, El Amor Después del Amor that pronounced the pinnacle of his commercial success. The record album sold more than 600,000 copies and when Paez toured to financial support it, he establish himself playacting to sold-out shows for 40,0000 citizenry. Shortly later its release, he played a benefit concert for UNICEF which raised more than $420,000. The followup, Circo Beat, had impossibly high school expectations and though it had several strike songs, including "Mariposa lily Tecknicolor" and "Tema de Piluso," as well as a companion album, Circo Beat Brazil, which featured Brazilian remixes of its hits, it only sold about 350,000 copies. Several other projects were completed in the late '90s, including an acoustic album, Euforia and 1998's Sabrina & Paez: Enemios Intimos. The twelvemonth 2000 brought another balanced, wondrously produced album, Abre Paez. He too took home iI Grammys at the number one annual Latin Grammy Awards in come down 2000.
